Roland Bleiker grew up in Zürich, Switzerland, where he was educated and worked as a lawyer. He then studied international relations in Paris, Toronto, Vancouver and Canberra. Bleiker worked for two years in a Swiss diplomatic mission in Panmunjom, the Korean DMZ. He held visiting research and teaching affiliations at Harvard, Cambridge, Humboldt, Tampere, Yonsei and Pusan National University as well as the Swiss Federal Institute of Technology and the Institute of Social Studies in The Hague.
Bleiker's current research focuses on the role of images and emotions in world politics. He coordinates an interdisciplinary Research Program on Visual Politics, which brings together several dozen scholars from across UQ. He is also collaborating with Emma Hutchison and David Campbell on an ARC-funded project that examines "how images shape responses to humanitarian crises."
Aesthetics and World Politics (Palgrave Macmillan, 2009/2012).
Divided Korea: Toward a Culture of Reconciliation (University of Minnesota Press, 2005/2008). Korean Translation 2009 (Pusan University of Foreign Studies Press).
Popular Dissent, Human Agency and Global Politics (Cambridge University Press, 2000). Awarded the APSA's Crisp Prize for best scholarly book in political science.
Edited Volumes (4 out of 8)
Emotions and World Politics (with Emma Hutchison),Forum in International Theory, Vol 3/2014.
Mediating Across Difference: Oceanic and Asian Approaches to Conflict Resolution (with Morgan Brigg) (University of Hawaii Press, 2011)
Autoethnographic International Relations, Forum in the Review of International Studies, Vol 36 No 3 and 4, 2010 (with Morgan Brigg)
The Zen of International Relations: IR Theory from East to West (with Stephen Chan and Peter Mandaville) (Palgrave, 2001).
Journal Articles (10 out of 53)
"Radical Dreaming: Indigenous Art and Cultural Diplomacy," (with Sally Butler), International Political Sociology, 10/1, 2016.
"Pluralist Methods for Visual Global Politics," Millennium: Journal of International Studies, 43/3, 2015.
"Theorizing Emotions and World Politics," (with Emma Hutchison), in International Theory, Vol 3/2014
"The Visual Dehumanization of Refugees," (with D. Campbell, E. Hutchison and X. Nicholson), in Australian Journal of Political Science, 48/3, 2013.
"Fear No More: Emotions and World Politics," (with Emma Hutchison), Review of International Studies, 34/1, 2008.
"Representing HIV/AIDS in Africa: Pluralist Photography and Local Empowerment" (with Amy Kay), International Studies Quarterly, 51/1, 2007.
"A Rogue is a Rogue is a Rogue: US Foreign Policy and the Korean Nuclear Crisis," International Affairs, 79/4, 2003.
"Discourse and Human Agency," Contemporary Political Theory, 2/1, 2003
"The Aesthetic Turn in International Political Theory," Millennium, 30/2, 2001.
"Forget IR Theory," Alternatives, 22/1, 1997.
Book Chapters (7 out of 54)
"Poststructuralism," (with David Campbell) in Tim Dunne, Milja Kurki and Steve Smith, International Relations Theories: Discipline and Diversity (Oxford University Press, 2016).
"Visual Assemblages," in Michele Acuto and Simon Curtis (eds), Reassembling International Theory (Palgrave, 2014).
"Art, Aesthetics and Emotionality," (with Emma Hutchison) in Laura J. Shepherd (ed), Gender Matters in Global Politics (Routledge, 2014).
"Between Consensus and Deconstruction: A Feminist Reading of Dialogue," (with Martin Leet) in Jude Browne (ed), Dialogue, Politics and Gender (Cambridge: Cambridge University Press, 2013).
"Imaging Catastrophe: The Politics of Representing Humanitarian Crises," (with Emma Hutchison and David Campbell), in Michele Acuto (ed), Negotiating Relief: The Dialectics of Humanitarian Space (Oxford University Press, 2013).
"Visualizing Post-National Democracy," in M. Schoolman and D. Campbell (eds), The New Pluralism: William Connolly and the Contemporary Global Condition (Duke University Press, 2008).
"Globalizing Political Theory," in S.K. White and J. Donald Moon (eds), What is Political Theory (Sage, 2004).